Starting Out as a Stand-Up Comedian
I always thought I’d make a pretty good stand-up comic. When I was a kid I loved watching the new episodes of Just for Laughs Festival that would air on the CBC every summer. The first stand-up special I can remember seeing was Mike McDonald’s on CBC. I couldn’t watch it the night it aired because it was on too late, but my parents taped it for me. Recently, I found that special amidst of pile of blank tapes at my mom’s house. My mom and dad neglected to label any of these damn tapes so I spent an afternoon watching them and, in addition to the Mike McDonald special, I found Game 6 of the 1992 World Series and a dreadful Don Cherry roast from the early 90’s. The roast is painfully unfunny but I can remember my old man killing himself at some of Dennis Hull’s zingers. Anyway, I watched the Mike McDonald special again and it was still as funny as remember it being when I was a kid. I enjoy Mike McDonald’s personal style, it’s very similar to that of my comedic idol’s Richard Pryor’s. Richard Pryor was another comic I’ve loved since I was a kid. While it might not have been the most popular Wilder-Pryor vehicle, both my mom and I love the movie Hear No Evil, See No Evil. In my last year of high school, I really started to study Pryor’s stand-up. I watched Live On the Sunset Strip and it made a big impact on me and my comedy. If I were to ever teach stand-up my first act as teacher would be to make my student’s watch that movie. In the summer of 2003, just before I was to begin attending classes at Humber’s Comedy: Writing and Performance program, I began writing some stand-up. I mimicked both Pryor and McDonald in that I wrote about stuff that was close to my heart. I’m sure if I saw those writings now I’d think they were terrible but at least I already had a grasp of the style of comedy I wanted to perform.
My first set was on
It was obvious I wasn’t a natural when it came to stand-up. Luckily a 2nd year in the Humber Comedy Program took me under his wing. His name was Tyler Morrison and he was, and still is, my favourite stand-up to watch. Tyler’s a hick from Bracebridge, who is, without a doubt, the smartest guy to ever rock a Wendel Clark fu manchu and one of the best joke writers I’ve ever met. His material is as sharp as it is edgy and if one were ever to see Morrison perform in front of his crowd they’d be blown away. Tyler helped me out a lot with joke structure and word play and would throw me the occasional tag line as well. He truly is the best comic nobody’s ever heard of. I hope that will change soon.
Despite Tyler’s tutelage it wasn’t until
Acton jokes killed. It was a great feeling to realize that in less than a year I had gone from watching these guys perform to performing alongside them and doing quite well at that. Gord came up to me after the show and told me that I had done a great job and even paid be 20 bucks. That was the first time I had ever been paid to do comedy so that remains a special memory to this day.
After the Fast and Dirty show I milked that
I got to be pretty good friends with Linda Ellis over my first year at Humber. Linda Ellis is a stand-up comic who works for Humber College. Linda is also in charge of booking the Humber nights at Yuk Yuk’s. Linda liked me and thought I showed some potential so she booked me for a lot of Humber nights that summer. I also started writing a lot more that summer, moving away from my
After one particularly good showing on a Humber night in late August of 2004, Linda informed me that Jack Norman wanted to meet me. Jack Norman ran the show “The Launching Pad”, which followed the Humber Night shows on Toonie Tuesday. All of the Yuk Yuk’s amateurs performed on “The Launching Pad” show. Yuk Yuk’s amateurs are comics that Yuk Yuk’s shows interest in but feel they need to develop more before turning them pro and adding them to their roster. A Yuk Yuk’s amateur was referred to as being on the “Fast Track.” Apparently Jack had shown up early that night (must have been an act of God) and liked what he saw.
“Great stuff kid. You’re a fuckin’ natural. Has Mark seen you yet?” (In reference to Yuk Yuk’s owner Mark Breslin)
“No.” I replied.
“Well he’s gonna fuckin’ see yah.”
So for the next two weeks Jack put me up on the Launching Pad and then got me a showcase for Mark the following week. I was pretty nervous the night of the showcase. I had heard stories of guys who had showcased 4 or 5 times for Breslin and still had not been “Fast Tracked.” Fortunately, I pulled off a good set and the first words Mark said to me were “Loved it. How would you like to be put on our “Fast Track?” I went home on feeling on top of the world that night,. I told all the boys back at the apartment (5 of us lived in a 2 bedroom apartment at the time) and they all seemed to be happy as well, my classy SOB of roommate Alain Rochefort even poured me a congratulatory rye.
Had I known what was in store for me on the Launching Pad, I might not have been so ecstatic. The Launching Pad was supposed to be a show where the Yuk Yuk’s amateurs would be able to hone their craft before being brought up on to the professional roster. Instead, the Launching Pad shows were usually two steps below god-awful. The shows were comprised of a lot of comedians, a few audience members and even fewer laughs. In my seven months on Launching Pad I can honestly say I had two good sets. To me the only thing that made the Launching Pad shows bearable was the gong show aspect of them. You see in addition to the “Fast Track” comics, the Launching Pad also offered a few spots to open-micers as well. Due to the nonexistent crowds most of us “Fast Trackers” bombed and you can imagine how some of the open-micers faired. I saw many an unfunny man led to the gallows. To make matters worse (or better, depending on your perspective) whenever somebody was just tanking the boys in the back would play a video on both sides of the stage on two television monitors. These videos would feature everything from nuclear bomb test footage to a mobster getting riddled with bullets in one of those gangster movies from the 1930’s. So you’d have some open-micer excreting their terrible rape material while Jimmy Cagney was getting blown to bits behind them.
My favorite Launching Pad bomb that didn’t involve me was performed by this older man who had clearly never performed a stand-up set in his life, but had watched a lot of it on TV. Jack called this mid-life crisis to the stage, who was decked out in an all denim outfit and slicked-back silver hair and looked a lesbian Bill Maher. The man then forcefully grabbed the mic and began pacing the stage ala Chris Rock while delivering his hard-hitting material…about the weather. “Is anybody else pissed off about this motherfuckin’ rain?” he forcefully questioned. “Fuck snow up the ass eh?” and so on. Anyways after four minutes of this guy’s edgy meteorology he stomped off the stage and right out the front door. Jack Norman then reclaimed the microphone and asked the question on everyone’s mind. “Okay guys what the fuck was that?”
Out of all the character’s that passed through during my time on the Launching Pad though, I have two favorites. “Machine Gun” Harry and the show’s host himself, Jack Norman. Machine Gunn Harry is an octogenarian stand-up comic who had made frequent appearances on City TV Speaker’s Corner alongside drunk dudes from
Jeff McEnery